Umschlag von Emilia Galotti von Gotthold Ephraim Lessing

Drama & Theater · 1838

Emilia Galotti

von Gotthold Ephraim Lessing

340 €

Ein Exemplar vorrätig · Versand aus den Niederlanden innerhalb von zwei Werktagen

Versandkosten nach Land

Erstmals erschienen
1800
Dieses Exemplar gedruckt
1838
Sprache
Englisch
Einband
Pappband
Zustand
Gut — Leichte Gebrauchsspuren am Einband, Text sauber und vollständig.
Seiten
103

Über das Werk

Emilia Galotti (1772), a tragedy in five acts by Gotthold Ephraim Lessing (1729–1781), is considered his masterpiece. The plot of the tragedy is based on a Roman story about a father who killed his daughter to save her from being pursued and violated by a noble. The action of Lessing’s play takes place in the imaginary Italian principality of Guastalla. The lecherous and despotic prince has chosen as his next victim the beautiful Emilia, Colonel Odoardo Galotti’s daughter. Odoardo is proud and courageous. He detests the immoral life of the court and the prince himself. He cannot be bribed or frightened. Emilia is about to marry the noble and independent Count Appiani. In order to get Emilia, the prince, prompted by his chamberlain, Marinelli, commits a perfidious act. As the count and his bride are coming to the marriage service, the killers hired by Marinelli attack them. The count is dead, and Emilia is in the prince’s hands at his palace, to which his servants lead her, supposedly to give her aid. Once Odoardo learns about this, he hastens to the palace in order to take Emilia from there. However, he does not have a clue about his sovereign’s true intentions. But Countess Orsina, the former lover of the prince, whom he abandoned for Emilia’s sake, reveals the truth to him. The old Galotti is terrified and indignant. He wants to reclaim his daughter, but the prince will not let him take her back. The father tells the prince that paternal duty requires him to place Emilia in a monastery. He says, Prince, paternal love is jealous of its duties. I think I know what alone suits my daughter in her present situation. Retirement from the world—a cloister as soon as possible. (act 5, scene 5) The prince is confused, because such a turn of events disrupts his plans for the young lady. But the wily Marinelli comes to his aid by resorting to downright slander. He says that the count was not attacked by robbers but rather, as is being rumored, by a person who is in favo

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