Offenbach a.Main, J. André, n.d. (±1802), plate no.1640, 176p., lithogr. title-p., engr. score, contemp. frontwr., obl. 4to. Idem. Die Schöpfung. La Création. Piano and song adapt. by F. Ries. Bonn, N. Simrock (pasted over w. booksellers ticket of L. Plattner, Rotterdam), n.d. (1800), plate no. 9, (2),135p., entirely engr. score, contemp. hcalf, obl. 4to. Händel, G.F. Der Messias. Piano and song adapt. by C.F.G. Schwencke, "mit deutschen Texte von Klopstock und Ebeling." Hamburg, J.A. Böhme (publ. name pasted over w. ticket of Theune & Comp., Amst.), 1809, no plate no., (4),166p., engr. title-p. w. oval vignette, engr. score, contemp. marbled gilt hcalf w. gilt oval green mor. letterpiece on frontcover, obl. 4to. AND 4 others: R. SCHUMANN and C. SCHUMANN-WIECK, Genoveva. Oper in vier Acten nach Tieck und F. Hebbel. Piano and song adapt. C. Schumann-Wieck (Leipsic, n.d. (±1851), plate no.3388, lithogr. title-p. and scores for voice and piano, contemp. hcalf w. green mor. letterpiece, folio. Title-p. sl. foxed. Binding worn along extremities; spine-ends dam.); G. MEYERBEER, Le Prophète (Paris etc., n.d. (±1849), lithogr. title-p. and score, contemp. giltlettered green hmor., folio. Lithogr. title loose; textp. foxed; most leaves w. waterstain in upper margin affecting the uppermost bar.); P. VON WINTER, Das unterbrochene Opferfest. Piano adaptation by ? (Braunschw., n.d. (1832), plate no.207, lithogr. frontisp. portrait, title and score, contemp. hcalf w. gilt green letterpiece on frontcover, obl. 8vo. Vaguely dampstained in lower and inner margins; upper joint starting) and J.G. BERTELMAN, Missa (The Hague, Fr. Beuster, 1836, entirely engr. full score, with piano score, contemp. giltlettered hcalf, obl. 4to. Joints and corner rubbed, otherwise fine).